When Jews at the turn of the last century wistfully spoke of the goldene medina (golden country), they meant just one place: America. The phrase evoked images of a land of "freedom, justice, opportunity — and protection against pogroms," wrote Leo Rosten in his 1968 classic, "The Joys of Yiddish." But when "spoken in irony or sarcasm," he added, the goldene medina also came to signify "a miraculous hope that ends in disappointment."
Which makes the title of Jennifer Gilmore’s debut novel, "Golden Country" (Scribner, 2006), especially apt. In her intricately plotted story, Gilmore deftly weaves fact into fiction as she traces the fortunes of three intertwined families of Jewish immigrants in early 20th century New York. The result is a compelling portrait of hopes, both realized and dashed, that explores questions of identity, self-invention, women’s roles and the definition of success.
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